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Into the Woods | |
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Directed by | Rob Marshall |
Produced by |
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Screenplay by | James Lapine |
Based on | Into the Woods by Stephen Sondheim James Lapine |
Starring | |
Narrated by | James Corden |
Music by | Stephen Sondheim |
Cinematography | Dion Beebe |
Edited by | Wyatt Smith |
| |
Distributed by | Walt Disney Studios Motion Pictures |
| |
124 minutes[1] | |
Country | United States |
Language | English |
Budget | $50 million[2] |
Box office | $213.1 million[3] |
Into the Woods is a 2014 American musicalfantasy film directed by Rob Marshall, and adapted to the screen by James Lapine from his and Stephen Sondheim's 1986 Broadway musical of the same name.[4] A Walt Disney Pictures production, it features an ensemble cast that includes Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine, Tracey Ullman, Christine Baranski, Lilla Crawford, Daniel Huttlestone, MacKenzie Mauzy, Billy Magnussen, and Johnny Depp. Inspired by the Grimm Brothers' fairy tales of 'Little Red Riding Hood', 'Cinderella', 'Jack and the Beanstalk', and 'Rapunzel', the film is a fantasy genre centered on a childless couple, who set out to end a curse placed on them by a vengeful witch. Ultimately, the characters are forced to experience the consequences of their actions.[5]
After several unsuccessful attempts by other studios and producers to adapt the musical to film, Disney announced in 2012 that it was producing an adaptation, with Marshall directing and John DeLuca serving as producer. Principal photography commenced in September 2013, and took place entirely in the United Kingdom, including at Shepperton Studios in London.
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Into the Woods held its world premiere at the Ziegfeld Theatre in New York City on December 8, 2014, and was released theatrically in the United States on December 25, 2014.[6] The film was commercially successful and received generally positive reviews, receiving praise for its acting performances (particularly Streep), visual style, and production merits, but received criticism for its lighter tone compared to the source material and the changes made for the film translation. It grossed $213 million worldwide.[7]Into the Woods was named one of the top eleven best films of 2014 by the American Film Institute; the film received three Academy Award nominations, including a Best Supporting Actress nomination for Streep, and three Golden Globe Award nominations, including Best Motion Picture – Musical or Comedy.
- 4Production
- 5Release
- 6Reception
Plot[edit]
A baker and his wife wish for a child but suffer under a curse laid upon the baker's family by a Witch who found the baker's father robbing her garden when his mother was pregnant. Because the baker's father also stole some magic beans, the witch's own mother cursed her to be ugly. The witch is able to lift the curse and allow them to have a child, but only if the baker and his wife obtain four critical items for her to make a potion: a white cow, a red cape, a yellow strand of hair, and a golden slipper, none of which she is allowed to touch.
The witch's demands eventually bring the baker and his wife into contact with Jack, who is selling his beloved cow, Milky-White, and to whom the baker offers magic beans left to him by his father (which were stolen from the witch) which grow into a large beanstalk; with Red Riding Hood, whose red cape the couple noticed when she stopped by the bakery earlier to buy bread and sweets on her way to grandmother's house; with blonde-haired Rapunzel, whose tower the baker's wife passes in the woods; and with Cinderella, who also runs into the baker's wife while fleeing from the pursuing prince and whose ball outfit includes gold slippers.
After a series of failed attempts and misadventures, the baker and his wife are finally able to gather the items necessary to break the spell. Meanwhile, each of the other characters receives a 'happy ending': Cinderella marries the prince; Rapunzel is freed from her guardian, the witch, by Cinderella's prince's brother and marries him; Jack provides for his mother by stealing riches from the Giant in the sky, and kills the pursuing giant by cutting down the beanstalk; Little Red Riding Hood and her grandmother are saved from the Big Bad Wolf; and the witch regains her youth and beauty after drinking the potion.
However, each of the characters learns that their endings don't remain happy: the baker is worried that he is a poor father to his newborn baby; the baker's wife is temporarily seduced by the prince; Cinderella is disenchanted by her cheating prince; and the witch learns that she has lost her magic powers. The growth of a second beanstalk from the last remaining magic bean allows the giant's wife to climb down and threaten the kingdom and its inhabitants if they do not deliver Jack in retribution for killing her husband. The characters attempt to find Jack, but debate the morality of handing Jack over. In the process, Red Riding Hood's mother and grandmother, Jack's mother, and the baker's wife are killed. The characters blame each other for their individual actions that led to the tragedy, ultimately blaming the witch for growing the beans in the first place. She curses them for their inability to accept responsibility for their individual actions. Casting all the remaining beans away, the witch begs her mother to punish her again, hoping to regain her powers, but instead she disappears into a large pit of boiling tar.
The remaining characters resolve to kill the threatening giant's wife though Cinderella and the baker try to explain to the distraught Red Riding Hood and Jack the complicated morality of retribution and revenge. The characters lure the giant's wife into stepping in the tar pit where she ultimately trips and falls to her death. With the giant's wife dead, the characters move forward with their ruined lives. The baker, thinking of his wife, is determined to be a good father. Cinderella decides to leave the prince and help the baker, and Jack and Red Riding Hood, now orphans, are living with the baker and Cinderella. The baker comforts his son after he begins to cry by telling the story of the film as the movie ends with the witch's moral, meaning that children can change due to the parent's actions and behaviors.
Cast[edit]
- Meryl Streep as The Witch[8]
- Emily Blunt as The Baker's Wife[9]
- James Corden as The Baker[10]
- Anna Kendrick as Cinderella[11]
- Chris Pine as Cinderella's Prince[12]
- Tracey Ullman as Jack's Mother[13]
- Christine Baranski as Cinderella's Stepmother[14]
- Johnny Depp as The Big Bad Wolf[15]
- Lilla Crawford as Little Red Riding Hood[16]
- Daniel Huttlestone as Jack[17]
- MacKenzie Mauzy as Rapunzel[18]
- Billy Magnussen as Rapunzel's Prince[19]
- Tammy Blanchard as Florinda[8]
- Lucy Punch as Lucinda[8]
- Frances de la Tour as the Giant's Wife[20]
- Richard Glover as the Steward[20]
- Joanna Riding as Cinderella's Mother[20]
- Annette Crosbie as Little Red Riding Hood's Grandmother[20]
- Simon Russell Beale as the Baker's Father[20]
- Tug as Milky-White[21]
Stage-to-screen changes[edit]
While it was initially reported that Disney had decided to make some major plot changes for the film version in order to make it more family friendly,[22]Stephen Sondheim revealed that this was not the case and that any changes in the film version had been approved by him and James Lapine.[23][24]
Thus the film does slightly differ from the stage production. The songs 'I Guess This Is Goodbye',[25] 'Maybe They're Magic',[26] 'First Midnight' and 'Second Midnight' interludes, 'Ever After' (Act I finale of the original play),[25] 'So Happy',[27] 'Into the Woods' Reprise, 'Agony' Reprise[25] and 'No More' (performed by the baker) were cut from the film,[28] although both 'Ever After' and 'No More' are used as instrumentals in the film. Meanwhile, many of the songs in the film have slightly different lyrics than their stage counterparts due to the slight tweaking of story lines.
Other changes include a major reduction of the significant role of the 'mysterious man', who manipulates much of the action in the first act and is eventually revealed to be the baker's father. Also, the character of the narrator is deleted, and the film is instead narrated by the baker.[29] The minor role of Cinderella's father was cut, and he is instead mentioned as deceased. Due to the film's compressed story line, Rapunzel's pregnancy is eliminated, as is the subplot where the two princes have affairs with Snow White and Sleeping Beauty.[29] In the film, the giant's wife attacks during the marriages of Cinderella and Rapunzel to their respective princes, no more than a few weeks after the events of act one; in the stage show, nearly a year passes between the first and second acts. Rapunzel's ultimate fate is also changed: rather than being killed by the giant, she refuses to cooperate with the witch and flees with her prince.[29]
Similarly, much of the violence and sexual content is slightly toned down from the original musical. For instance, the death of Jack's mother is less violent in the film. On stage, the steward clubs her to death with his staff; in the film, he simply shoves her to the ground and she hits her head on a log. The death of the baker's wife is not explicitly shown in the film, and the cause of her death is changed from being crushed by a tree in the giant's wife's wake to accidentally backing off the edge of a cliff while fleeing from the wife of the giant.
Production[edit]
Early development[edit]
Early attempts of adapting Into the Woods to film occurred in the early 1990s, with a script written by Lowell Ganz and Babaloo Mandel. A reading was held with a cast that included Robin Williams as the Baker, Goldie Hawn as the Baker's Wife, Cher as the Witch, Danny DeVito as the Giant, Steve Martin as the Wolf, and Roseanne Barr as Jack's Mother.[30] By 1991, Columbia Pictures and Jim Henson Productions were also developing a film adaptation with Craig Zadan as producer and Rob Minkoff as director.[31][32] In 1997, Columbia put the film into turnaround, with Minkoff still attached as director, and Billy Crystal, Meg Ryan, and Susan Sarandon reportedly in talks to star.[33] After the report by Variety, a film adaptation of Into the Woods remained inactive for 15 years.
Development at Disney[edit]
After the critical and commercial success of Chicago in 2002, director Rob Marshall approached Stephen Sondheim as he was interested in adapting one of his musicals such as Follies and Sweeney Todd: The Demon Barber of Fleet Street, although Sondheim suggested Into the Woods instead.[34] Marshall concurred, but development of the project was then postponed while he focused on directing Memoirs of a Geisha and Nine. In 2011, Marshall's interest in the project was rekindled when he heard a speech by President Barack Obama on the tenth anniversary of the September 11th attacks to the families of the 9/11 victims, which seemed to evoke the same message as the musical's most important song, 'No One Is Alone'.[35] Marshall firmly believed that Into the Woods was “a fairy tale for the post-9/11 generation'.[36] In January 2012, Marshall approached Walt Disney Pictures—for whom he had just directed Pirates of the Caribbean: On Stranger Tides—and pitched the idea to the studio,[34] with Lapine writing the script and Sondheim 'expected' to write new songs.[37]Academy Award-winner Dion Beebe, who previously collaborated with Marshall on Chicago, Memoirs of a Geisha, and Nine, served as cinematographer.[38] Sondheim confirmed that a new song had been written for the film.[39]
With Disney's backing, a three-day reading of the entire updated screenplay took place in New York in October 2012 under Marshall's direction, with Nina Arianda as the Baker's Wife, Victoria Clark as Cinderella's Mother/Granny/Giant, James Corden as the Baker, Donna Murphy as the Witch, Christine Baranski as Cinderella's Stepmother, Tammy Blanchard as Florinda, Ivan Hernandez as the Wolf, Megan Hilty as Lucinda, Cheyenne Jackson as Rapunzel's Prince, Allison Janney as Jack's Mother, Anna Kendrick as Cinderella, Michael McGrath as Steward/Mysterious Man, Laura Osnes as Rapunzel, Taylor Trensch as Jack, Casey Whyland as Little Red Riding Hood, and Patrick Wilson as Cinderella's Prince.[40] It was this reading which ultimately convinced Walt Disney Studios president Sean Bailey to green-light the film despite ongoing concerns about the dark nature of the original musical (which Disney executives had begun to understand since Marshall's original pitch).[34] However, Disney (which self-finances all its films)[41] provided only a relatively small production budget of $50 million (relative to other feature-length fantasy films on its development slate), in turn forcing both cast and crew to accept pay cuts to work on the film.[34]
Reports subsequently surfaced in January 2013 that Meryl Streep had been cast to play the Witch.[42][43] Streep had instituted a personal 'no witch' rule after she turned 40 and was offered three witch roles, but ultimately broke her own rule to do a Sondheim role again.[34] (As a young Yale University student, she had participated in the original production of Sondheim's The Frogs.) During the same month, it was reported that Janney had been confirmed to join the film as well.[44] Five months later, however, Tracey Ullman was cast as Jack's Mother instead.[13]
In April 2013, Johnny Depp was in final negotiations, along with Streep, to join the film.[9][15]The Hollywood Reporter reported that to help make the film on such a tight budget, Depp agreed as a favor to Disney and to Marshall (whom he had just worked with in On Stranger Tides) to a 'boarding' arrangement, in which he would appear in a minor role for a fee of $1 million, instead of his typical fee of $20 million for a starring role.[45] In May, James Corden, who took part in the reading of the screenplay, was in talks to play the role of the Baker.[46] On May 10, 2013, Disney confirmed the casting of Streep, Depp, and Corden as the Witch, the Big Bad Wolf, and the Baker, respectively.[10] That same month, Emily Blunt and Christine Baranski were cast, respectively, as the Baker's Wife and Cinderella's Stepmother.[14][47][48] Marshall later confirmed that Blunt was selected for her 'warm[th]' and likeability to ensure the emotional impact of the sudden death of the Baker's Wife: '[T]hat's very important for that character because it's the heart of the piece and you really have to love her so when she's gone it should feel like a kick in the gut.'[35] After she was cast, Blunt discovered she was pregnant and her costume and choreography had to be adjusted accordingly.[34][49] However, her 'overweight' appearance during production actually fit in with the role of the Baker's Wife;[34] as she explained, 'I feel like she would have eaten a lot of carbs working in the bakery.'[49]
Also in May, Jake Gyllenhaal and Chris Pine entered negotiations to play the Princes.[12] However, Gyllenhaal dropped out of the film due to scheduling conflicts with another film, Nightcrawler, and was subsequently replaced by Billy Magnussen.[19][50] One month later, Anna Kendrick began talks to play Cinderella in the film.[11] In June 2013, Walt Disney Studios publicly announced that the film had been greenlighted, and scheduled a release date for Christmas Day 2014.[6][51] In July, MacKenzie Mauzy, Tammy Blanchard, Lucy Punch and Daniel Huttlestone joined the cast.[8][17][18] In early August, Sophia Grace Brownlee's representatives announced that she had been cast as Little Red Riding Hood.[52][53] The announcement of Brownlee's casting, which was widely reported but never confirmed by Disney, was criticized as 'a stunt' and was met with concern due to her age and the sexual undertones present between Little Red and the Wolf.[54][55][56] Mauzy later revealed that she first auditioned for Cinderella but did not get the part. However, director Marshall saw her audition tape and brought her back in for Rapunzel, after recognizing 'the 'vulnerability' and 'emotion' Mauzy could bring to Rapunzel after she read just one line', as he recalled.[57] The film's plot synopsis and the official casting of lead actors Meryl Streep, Johnny Depp, Anna Kendrick, Chris Pine, and Emily Blunt were revealed at the D23 Expo on August 10, 2013.[58][59] On September 16, 2013, Lilla Crawford was confirmed as playing the character of Little Red Riding Hood, despite previous reports suggesting Brownlee.[16] Crawford auditioned for Marshall via Skype, who offered her the role within two hours; she was on a flight to London the next day.[34] Later on, Dominic Brownlee spoke about the withdrawal of his daughter Sophia Grace from the movie: 'After careful consideration, we the parents of Sophia Grace, felt that as rehearsals progressed that she was too young for this part. It was a joint decision between us and the director and producer of Into the Woods to withdraw Sophia Grace from the film.'[60] Apart from Crawford, the casting of Richard Glover, Frances de la Tour, Simon Russell Beale, Joanna Riding, and Annette Crosbie in other roles was also separately announced later on September 16.[20]
Filming[edit]
In July 2013, before filming began, Marshall put the cast through six weeks[34] of rehearsals on a soundstage and blocked their scenes.[2] In August, the cast members visited Angel Recording Studios to separately record their respective parts in the presence of Sondheim himself.[2] Over 90% of the vocal tracks in the final version of the film are from the recording studio sessions, while the rest were recorded on location or on the set.[2] The advantage of blocking and rehearsing all scenes first was that the cast members could then precisely calibrate their voices in the recording studio to the planned appearance of each scene when later filmed, thereby minimizing the slightly disconcerting disconnection between vocals and choreography typical of music videos.[61]
Principal photography took place at London's Shepperton Studios in September 2013, with additional filming taking place at Dover Castle, Hambleden, Waverley Abbey,[62][63][64] and Richmond Park.[65][66] A forest of ancient pine trees in Windsor Great Park was used for many of the scenes in the woods.[67] Marshall struggled with how to stage the melodramatic duet 'Agony' in the forest until discovering online that Windsor had an artificial waterfall at Virginia Water Lake, which turned out to be the perfect location for the song.[67] The production was shot digitally, using Arri Alexa cameras configured in a two-camera setup.[61] Footage was edited together in AvidMedia Composer.[61] The exterior of Byfleet Manor in Surrey served as Cinderella's home.[68]
The filmmakers spent a whole day shooting scenes which involved Rapunzel's hair being climbed upon.[57] Mauzy claimed that the filmmakers wanted to take advantage of her blonde hair, and that the top of Rapunzel's hair appeared in the film was her own real hair; make-up artists only braided it into the extension.[57] This hair extension was engineered by hair designer Peter King.[69] After testing loose, flowing hair which King found 'uncontrollable', he decided to have twenty-seven wefts of real hair woven together into a 30-foot braid, a design which took inspiration from an Arthur Rackham illustration of Rapunzel.[69] In order to bring in enough real Russian hair strands needed for the extension, King and his team had to work with several distributors from Germany and England.[69] The hair-braiding process required three people, each holding a separate strand and weaving in and out.[69] King also dyed the wefts for them to match Mauzy's champagne blonde hair color, and blended together six different shades from ash and strawberryto create realistic gradations and highlights.[69] Between scenes, Mauzy had to 'wrap [the hair] around her arm like huge rolls of wool', as recalled by King.[69] A stuntman was employed to shoot hair-climbing scenes.[57] Thin rope and metal rings were the only additional tools concealed within the braid to hold the weight of a person climbing up.[69]
The film's final shot, which essentially merges into and links back to its first shot, actually transitions digitally between three shots: a Technocrane on location lifting as high as possible into the sky, an aerial drone flying down a valley in Wales, and a shot of an overcast sky in Manhattan, New York City.[70] Filming concluded on November 27, 2013.[71]
On July 14, 2014, Steve Baldwin posted on a social networking site that reshoots were made during the whole month of July.[72] The following month, however, Rob Marshall denied the film went through re-shoots.[73] Instead, they spent three days shooting new material that had been cut and re-added to the script after Disney screened the movie.[73] For his role as the Wolf, Depp worked closely with the film's costume designer Colleen Atwood to create a Tex Avery-inspired costume, complete with zoot suit and fedora.[74]
Music[edit]
As noted above, the majority of the songs were pre-recorded by the cast.[2] Music producer Mike Higham, who had previously worked with Sondheim on Sweeney Todd: The Demon Barber of Fleet Street, recorded the film's score with the London Symphony Orchestra and London Philharmonic.[21] Music supervisor and conductor Paul Gemignani instructed the actors on how to sing, including singing live to a camera on set, to prerecorded music in studio, and with a live studio orchestra. Jonathan Tunick orchestrated Sondheim's original music.[21] The key to the song, 'Hello, Little Girl,' was altered to better suit Johnny Depp's lower vocal range. In regards to the song's musical arrangement, Higham explained, 'we emphasized the woodwinds to make it feel a little lighter, especially the flutes. And we just made it a little jazzier — played more on the walking bass line. Inherently, when it has a jazz feel, it just feels lighter.'[75] The film's soundtrack was released by Walt Disney Records on December 15, 2014.[76]
It was initially reported that the film version would feature two new songs: a duet for the Baker and his Wife, titled 'Rainbows'—originally written for a 1992 film adaptation that was never made—and a new song for the Witch, eventually titled 'She'll Be Back'.[77] In the end, neither song appears in the finished film: 'Rainbows' was cut before shooting began and 'She'll Be Back', though filmed, was cut from the film on the grounds that it slowed the story down. 'She'll Be Back' was included as a bonus feature on the film's home media release.[78][79]
Release[edit]
The first official company presentation took place at the 2013 Disney D23 expo.[80] The official teaser trailer debuted on July 31, 2014.[81][82] A featurette was released showing behind-the-scenes clips and the vocals of Streep, Kendrick, Blunt and others.[83] A second trailer was released on November 6, 2014.[84]
The film held its world premiere at the Ziegfeld Theatre in New York City on December 8, 2014.[85] It was released theatrically in the United States on December 25, 2014.
Home media[edit]
Walt Disney Studios Home Entertainment released the film on Blu-ray, DVD, and digital download in North America on March 24, 2015.[86] The film debuted in second place on the home media charts behind The Hobbit: The Battle of the Five Armies.[87] The home media version includes Stephen Sondheim and James Lapine's original song 'She'll Be Back'.[79]
Reception[edit]
Box office[edit]
Into the Woods grossed $128 million in North America, and $85.1 million in other territories, for a worldwide total of $213.1 million, against a budget of $50 million.[3]
Into the Woods began playing across North American theaters on December 24, 2014, and earned $1.1 million from late-night Christmas Eve showings[88][89] and $15.08 million on its opening day (including previews) from 2,440 theaters.[90] Its opening day gross was the fourth-biggest Christmas Day debut and the sixth-biggest Christmas Day gross ever.[91] The film was among one of four films put into wide release on December 25, 2014, the other three being Universal Pictures' Unbroken (3,131 theaters), Paramount Pictures' The Gambler (2,478 theaters), and TWC's Big Eyes (1,307 theaters).[92] It earned $31.1 million in its traditional three-day opening ($46.1 million including its Christmas Day gross) debuting at #2 at the box office behind The Hobbit: The Battle of the Five Armies, achieving the highest opening weekend for a film based on a Broadway musical (previously held by Mamma Mia!).[93][94] The film's $3.5 million debut in Japan marked the largest opening for a 21st-century live-action musical film.[95]
Critical response[edit]
The review aggregation website Rotten Tomatoes reports an approval rating of 71% based on 215 reviews, with an average rating of 6.56/10. The site's consensus reads: 'On the whole, this Disney adaptation of the Sondheim classic sits comfortably at the corner of Hollywood and Broadway—even if it darkens to its detriment in the final act.'[96] Another review aggregator, Metacritic, calculate a weighted average score of 69 out of 100, based on 41 critics, indicating 'generally favorable reviews'.[97] In CinemaScore polls conducted during the opening weekend, audiences gave the film an average grade of 'B' on an A+ to F scale.[98]
Streep was immensely applauded for her performance as the Witch, with many critics and audiences believing she was the film's heart. Lou Lumenick of the New York Post called her and Blunt's portrayals as 'two of the greatest female performances of the year'. For her performance, Streep received Academy Award, Golden Globe Award, Screen Actors Guild Award, and Broadcast Film Critics Association Award nominations for Best Supporting Actress.
The Hollywood Reporter wrote that the film 'benefits from respect for the source material, enticing production values and a populous gallery of sharp character portraits from a delightful cast'.[99]Stephen Holden of The New York Times lauded the film, writing; 'Into the Woods, the splendid Disney screen adaptation of the Stephen Sondheim-James Lapine musical, infuses new vitality into the tired marketing concept of entertainment for 'children of all ages'.[100]Leonard Maltin called the movie as 'one of the year's best films'. Similarly, Pete Hammond of Deadline praised the film as 'the most dazzling movie musical since Marshall's own Chicago.' and praised the performance of the cast, particularly Streep. Lou Lumerick of the New York Post called the film 'this century's best musical' and lauded the performances of Streep and Blunt as the best female performances of the year. Scott Mendelson of Forbes gave a positive review declaring the film 'Rob Marshall's best movie ever' and praised it for its genuine entertainment and strong cast performances.[101]Richard Corliss of Time gave a positive review, stating that the film was a 'smart, appealing, upside-down children's story for adults of all ages'.[102] Gregory Ellwood of HitFix tipped Streep as an Academy Award contender in the Best Supporting Actress category, and also praised the performance of Chris Pine.[103]
Richard Lawson of Vanity Fair,[104] Karen D'Souza of the San Jose Mercury News,[105] and Dana Stevens of Slate[106] all published critical reviews of the film. All three found much to like in the acting (especially Blunt and Pine's performances), but all three also concluded that after the various cuts and changes, the final version of the film had failed to adequately preserve the power of the dark existentialist message at the heart of the original musical's second act.[104][105][106] Stevens characterized the result as a 'generic dystopian bummer,'[106] while Lawson criticized the film as a 'dutiful but perfunctory adaptation' which lacked 'genuine heart'.[104] Paul Katz of The Huffington Post felt the change in tone between the last two acts was too abrupt, and also criticized the film's faithfulness to the stage musical.[107] Conversely, Alyssa Rosenberg of The Washington Post disliked the performances by Streep and Depp, while simultaneously calling the film's first two acts a 'surprising delight'.[108]
Accolades[edit]
List of awards and nominations | ||||
---|---|---|---|---|
Award | Date of ceremony | Category | Recipient(s) and nominee(s) | Result |
Academy Awards[109] | February 22, 2015 | Best Supporting Actress | Meryl Streep | Nominated |
Best Production Design | Production Design: Dennis Gassner; Set Decoration: Anna Pinnock | Nominated | ||
Best Costume Design | Colleen Atwood | Nominated | ||
AACTA International Awards[110] | January 31, 2015 | Best Supporting Actress | Meryl Streep | Nominated |
Art Directors Guild Awards[111] | January 31, 2015 | Excellence in Production Design for a Fantasy Film | Dennis Gassner | Nominated |
American Cinema Editors[112] | January 30, 2015 | Best Edited Feature Film – Comedy or Musical | Wyatt Smith | Nominated |
American Film Institute[113] | December 9, 2014 | Top Eleven Films of the Year | Into the Woods | Won |
British Academy Film Awards[114] | February 8, 2015 | Best Costume Design | Colleen Atwood | Nominated |
Best Makeup and Hair | Peter Swords King, J. Roy Helland | Nominated | ||
Broadcast Film Critics Association[115] | January 15, 2015 | Best Supporting Actress | Meryl Streep | Nominated |
Best Acting Ensemble | The Cast of Into the Woods | Nominated | ||
Best Art Direction | Dennis Gassner/Production Designer, Anna Pinnock/Set Decorator | Nominated | ||
Best Costume Design | Colleen Atwood | Nominated | ||
Best Hair & Makeup | Nominated | |||
Casting Society of America[116] | January 22, 2015 | Big Budget Comedy | Francine Maisler, Bernard Telsey, Tiffany Little Canfield | Nominated |
Chicago Film Critics Association | December 15, 2014 | Best Art direction/Production Design | Dennis Gassner, Anna Pinnock | Nominated |
Costume Designers Guild[117] | February 17, 2015 | Excellence in Fantasy Film | Colleen Atwood | Won |
Detroit Film Critics Society | December 15, 2014 | Best Ensemble | The Cast of Into the Woods | Nominated |
Empire Awards[118] | March 29, 2015 | Best Male Newcomer | Daniel Huttlestone | Nominated |
Florida Film Critics Circle | December 19, 2014 | Best Art Direction/Production Design | Dennis Gassner, Anna Pinnock | Nominated |
Golden Globe Awards[119] | January 11, 2015 | Best Motion Picture – Musical or Comedy | Into the Woods | Nominated |
Best Actress in a Motion Picture – Comedy or Musical | Emily Blunt | Nominated | ||
Best Supporting Actress – Motion Picture | Meryl Streep | Nominated | ||
Kids' Choice Awards[120] | March 28, 2015 | Best Villain | Meryl Streep | Nominated |
MPSE Golden Reel Awards[121] | February 15, 2015 | Feature Musical | Mike Higham, Jennifer Dunnington | Nominated |
MTV Movie Awards[122][123] | April 12, 2015 | Best Villain | Meryl Streep | Won |
San Diego Film Critics Society | December 15, 2014 | Best Production Design | Dennis Gassner, Anna Pinnock | Nominated |
Satellite Awards[124][125] | February 15, 2015 | Best Ensemble – Motion Picture | Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine, Johnny Depp, Lilla Crawford, Daniel Huttlestone, MacKenzie Mauzy, Tracey Ullman, Christine Baranski, Tammy Blanchard, Lucy Punch, Billy Magnussen, and Frances de la Tour | Won |
Best Costume Design | Colleen Atwood | Nominated | ||
Best Sound (Editing and Mixing) | Blake Leyh, John Casali, Michael Keller, Michael Prestwoood Smith, and Renee Tondelli | Nominated | ||
Best Visual Effects | Christian Irles, Matt Johnson, and Stefano Pepin | Nominated | ||
Saturn Awards[126] | June 25, 2015 | Best Fantasy Film | Into the Woods | Nominated |
Best Supporting Actress | Meryl Streep | Nominated | ||
Best Production Design | Dennis Gassner | Nominated | ||
Best Costume | Colleen Atwood | Nominated | ||
Best Make-up | Peter King and Matthew Smith | Nominated | ||
Screen Actors Guild Awards[127] | January 25, 2015 | Outstanding Performance by a Female Actor in a Supporting Role | Meryl Streep | Nominated |
St. Louis Film Critics | December 15, 2014 | Best Music Soundtrack | Nominated | |
Washington D.C. Area Film Critics Association Awards[128] | December 8, 2014 | Best Ensemble | Nominated | |
Best Art Direction | Dennis Gassner and Anna Pinnock | Nominated | ||
Young Artist Awards[129] | May 15, 2015 | Best Performance in a Feature Film – Supporting Young Actor | Daniel Huttlestone | Nominated |
Best Performance in a Feature Film – Supporting Young Actress | Lilla Crawford | Won |
References[edit]
- ^'INTO THE WOODS (PG)'. British Board of Film Classification. November 11, 2014. Retrieved November 11, 2014.
- ^ abcdeBurlingame, Jon (November 4, 2014). 'Rob Marshall Boldly Explores Disney's Take on Twisted Tale 'Into the Woods''. Variety. Variety Media, LLC. Retrieved January 7, 2015.
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The big-screen adaptation welcomes songs from the stage musical, including 'Children Will Listen,' 'Giants in the Sky,' 'On the Steps of the Palace,' 'No One Is Alone' and 'Agony,' among others. The film cuts songs such as 'I Guess This Is Goodbye/Maybe They're Magic,' 'Ever After' and 'No More,' among others.
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She was also recently cast in the fairy-tale fantasy movie Into the Woods which is also rumored to have Meryl Streep on board.
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Typically Little Red is a bit older than 10, given that the character experiences a sexual awakening—at the menacing and kind of rape-y hands of The (Big Bad) Wolf, who will be played in this incarnation by Johnny Depp. Yes, 50-year-old Johnny Depp is going to sing 'Hello, Little Girl' ('Look at that flesh / pink and plump') to Sophia Grace.
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As previously reported, the Rob Marshall-directed film has become the biggest launch of a Broadway adaptation since 'Mamma Mia!' ($27.8 million).
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External links[edit]
Wikimedia Commons has media related to Into the Woods (2014 film). |
- Official website
- Into the Woods on IMDb
- Into the Woods at Box Office Mojo
- Into the Woods at Rotten Tomatoes
- Into the Woods at Metacritic
Directed by
Rob Marshall |
Writing Credits
James Lapine | ... | (screenplay by) |
James Lapine | ... | (based on the musical by) |
Cast (in credits order) complete, awaiting verification
Anna Kendrick | ... | Cinderella | |
Daniel Huttlestone | ... | Jack | |
James Corden | ... | Baker / Narrator | |
Emily Blunt | ... | Baker's Wife | |
Christine Baranski | ... | Stepmother | |
Tammy Blanchard | ... | Florinda | |
Lucy Punch | ... | Lucinda | |
Tracey Ullman | ... | Jack's Mother | |
Lilla Crawford | ... | Little Red Riding Hood | |
Meryl Streep | ... | Witch | |
Simon Russell Beale | ... | Baker's Father | |
Joanna Riding | ... | Cinderella's Mother | |
Johnny Depp | ... | Wolf | |
Billy Magnussen | ... | Rapunzel's Prince | |
Mackenzie Mauzy | ... | Rapunzel | |
Annette Crosbie | ... | Granny | |
Chris Pine | ... | Cinderella's Prince | |
Richard Glover | ... | Steward | |
Frances de la Tour | ... | Giant | |
Tug | ... | Milky-White | |
Rest of cast listed alphabetically: | |||
Bhanu Alley | ... | Villager (uncredited) | |
Oliver Andrews-Waller | ... | Child (uncredited) | |
Neil Bradley | ... | Villager (uncredited) | |
Sophie-Anna Brough | ... | Ball Guest (uncredited) | |
Roddy Button | ... | Villager (uncredited) | |
Bern Collaço | ... | Cobbler / Village Man (uncredited) | |
Pamela Betsy Cooper | ... | Villager (uncredited) | |
Gioacchino Jim Cuffaro | ... | Villager (uncredited) | |
Guinevere Edwards | ... | Villager (uncredited) | |
Hayley Evenett | ... | Village Woman (uncredited) | |
Karl Farrer | ... | Village Man (uncredited) | |
David Georgiou | ... | Villager (uncredited) | |
Laura Goldfinch | ... | Village Woman (uncredited) | |
Andy Hayes | ... | Villager (uncredited) | |
Amy Hendrick | ... | Village Girl (uncredited) | |
Hrvoje Klecz | ... | Villager (uncredited) | |
Simone Liebman | ... | Villager (uncredited) | |
Tyrone Love | ... | Village Man (uncredited) | |
Ashley Martin | ... | Ball Guest (uncredited) | |
Barrie Martin | ... | Villager (uncredited) | |
Vince McLoughlin | ... | Villager (uncredited) | |
Lee McQueen | ... | Peasant Villager (uncredited) | |
Gina Morrish | ... | Peasant Lady (uncredited) | |
Lou Mussington | ... | Wedding Guest (uncredited) | |
Ed Pearce | ... | Villager (uncredited) | |
Scott Plumridge | ... | Villager (uncredited) | |
Geoff Rolph | ... | Prince (uncredited) | |
Karol Steele | ... | Villager (uncredited) |
Produced by
John DeLuca | ... | producer |
Rob Marshall | ... | producer |
Callum McDougall | ... | producer |
Angus More Gordon | ... | co-producer |
Marc Platt | ... | producer |
Michael Zimmer | ... | co-producer |
Cinematography by
Dion Beebe |
Film Editing by
Wyatt Smith |
Casting By
Tiffany Little Canfield |
Francine Maisler |
Bernard Telsey |
Production Design by
Dennis Gassner |
Art Direction by
Andrew Bennett | ||
Dean Clegg | ||
Ben Collins | ||
Chris Lowe | ... | supervising art director |
Mary Mackenzie |
Set Decoration by
Sarah Edwards | ... | (model unit set dresser) |
Anna Pinnock |
Into The Woods Musical
Costume Design by
Colleen Atwood |
Makeup Department
Natalie Abizadeh | ... | hair and makeup junior |
Joceline Andrews | ... | hair stylist |
Martina Byrne | ... | additional hair stylist / additional makeup artist |
Polly Campbell | ... | crowd hair and makeup junior: dailies |
Anna Cash | ... | make up artist: crowd |
Lizzie Davies | ... | crowd hair/makeup artist: dailies |
Nathaniel De'Lineadeus | ... | dental FX design and manufacture |
Tamsin Dorling Barbosa | ... | makeup crowd coordinator (as Tamsin Barbosa) |
Pauline Fowler | ... | animal props |
Chris Gallaher | ... | dental appliance design and fabrication for Johnny Depp Big Bad Wolf |
Paul Gooch | ... | make up and hair artist |
Joel Harlow | ... | personal make up artist: to Mr. Depp / prosthetic design: artist to Mr. Depp |
J. Roy Helland | ... | hair & makeup: Ms. Streep |
Peter Swords King | ... | hair designer / makeup designer |
Don Lanning | ... | sculptor |
Chris Lyons | ... | special effects teeth |
Donald McInnes | ... | make up and hair artist |
Annabelle McMahon | ... | crowd junior hair and makeup artist |
Sally Miura | ... | crowd make-up |
Flora Moody | ... | make up and hair artist |
Laura Morse | ... | crowd hair and makeup artist |
Richard Muller | ... | hair & make-up stylist |
Cassie O'Brien Pollard | ... | crowd junior hair and makeup artist (as Cassie Pollard) |
Nina Pratley | ... | crowd makeup artist: dailies |
Paula Price | ... | make up and hair artist |
Olivia Rotheram-Jones | ... | hair stylist: crowd dailee (as Olivia Jones) |
Rachel Shears | ... | crowd junior hair and makeup artist |
Leon Smikle | ... | special makeup effects artist |
Matthew Smith | ... | prosthetic makeup designer: Meryl Streep |
Khanh Trance | ... | makeup effects hair / special effects hair / wigmaker: Mr Depp |
Production Management
Daniel De La Rosa | ... | production technology executive (as Daniel de la Rosa) |
Eleanor Downey | ... | unit manager: location |
Hannah Godwin | ... | production manager: additional photography / production supervisor |
Dan Hassid | ... | executive in charge of production (as Daniel Hassid) |
Jamie Jones | ... | unit manager: studio |
Jennifer Lane | ... | post-production supervisor |
Todd Livdahl | ... | production technology executive |
Todd London | ... | post production executive |
Callum McDougall | ... | unit production manager |
Angus More Gordon | ... | unit production manager |
Suzie F. Wiesmann | ... | production supervisor (segment 's') |
Second Unit Director or Assistant Director
Paul Bennett | ... | second assistant director: additional photography |
Jonny Benson | ... | second assistant director: second unit |
James Chambers | ... | third assistant director: additional photography |
Dan Channing Williams | ... | first assistant director: second unit |
Jessica Corlett | ... | third assistant director: second unit |
John DeLuca | ... | second unit director |
Gayle Dickie | ... | second second assistant director |
Mark Gillespie | ... | third assistant director: second unit |
Ben Howarth | ... | first assistant director |
Thomas Napper | ... | second unit director |
Daniel Smith | ... | third assistant director |
Sue Wood | ... | crowd second assistant director (as Sue Lawrence) |
Harriet Worth | ... | second assistant director |
Art Department
Roxana Alexandru | ... | assistant art director (as Roxi Alexandru) |
John Allen | ... | carpenter |
Gerry Atkinson | ... | dressing propman (as Gerald Atkinson) |
William Bianchi | ... | scenic painter |
Steve Bohan | ... | construction manager (as Stephen Bohan) |
John Botton | ... | chargehand dressing propman |
Christopher Brown | ... | chargehand carpenter |
Leigh Bryant | ... | property storeman |
Archie Campbell-Baldwin | ... | art department coordinator / junior draughtsman |
Dan Chater | ... | junior modelmaker |
Dean Coldham | ... | supervising plasterer |
Deano Harry Coldham | ... | plasterer |
Lee Compton | ... | carpenter |
Mike Crook | ... | prop maker |
Stacey Cummins | ... | senior greens dresser (as Stacey Cummings) |
Gary Dawson | ... | chargehand dressing propman |
Paul Dennis | ... | set dresser/standby greensman |
Stephen Doyle | ... | dressing propman |
Paul Duff | ... | supervising carpenter |
Trevor Eve | ... | supervising painter |
Kim Frederiksen | ... | conceptual artist |
Darek Gogol | ... | storyboard artist |
Thomas Goodwin | ... | draughtsman (as Tom Goodwin) |
Gavin Gordon | ... | chargehand carpenter |
Gavin Grant | ... | dressing propman |
David Gray | ... | standby rigger (as Dave Gray) |
Dave Habberfield | ... | hod painter |
David Haberfield | ... | hod painter (as Dave Haberfield) |
Tyler Hardin | ... | art researcher |
Peter Hawkins | ... | hod rigger |
Katherine Hearst | ... | art department assistant |
Denis Hopperton | ... | standby propman |
James Hunt | ... | lead scenic artist |
Josh Jones | ... | standby carpenter |
Rob Jose | ... | lead modelmaker (as Robert Jose) |
David Ned Kelly | ... | carpenter |
Joe King | ... | supervising rigger |
Michael King | ... | production buyer (as Mike King) |
Charlene Lambert | ... | senior greens dresser |
Mick Lambert | ... | greens supervisor |
Pat Lambert | ... | greensman |
Terry Lambert | ... | senior greensman |
Blake Maslin | ... | senior greensman |
Brian Maslin | ... | greens supervisor |
Lily Mathiszig-Lee | ... | model maker (as Lily Currie) |
Richard Mccarthy | ... | hod plasterer (as Richard McCarthy) |
Jonny Moore | ... | sculptor |
Debbie Morgan | ... | construction coordinator |
James Muir | ... | standby stagehand (as Jim Muir) |
Cleo Nethersole | ... | drapesmaster |
Sophie Newman | ... | assistant set decorator |
James O'Sullivan | ... | construction electrician |
Seamus O'Sullivan | ... | assistant construction manager |
Des Oboy | ... | supervising stagehand (as Des O'Boy) |
Warren Parkinson | ... | assistant property master |
Richard Payne | ... | standby: supervising greensman |
Nick Pelham | ... | storyboard artist |
Francis Poirier | ... | sculptor |
Heather Pollington | ... | graphic designer |
Steven Ponting | ... | supervising plasterer (as Steve Ponting) |
George Pugh | ... | standby propman |
Oliver Roberts | ... | stand-by art director |
Paul Robinson | ... | chargehand stand-by propman |
Lauren Rosenbloom | ... | assistant art director |
Mary-Jo Silva | ... | greensperson |
Mark Smith | ... | dressing propman |
Nick Smith | ... | chargehand carpenter |
David Sutheran | ... | daily standby props/dressing props |
Sophie Tarver | ... | props |
Bill Thomas | ... | set dresser |
Camille M. Verhaeghe | ... | art department assistant (as Camille Verhaeghe de Naeyer) |
Steve Westley | ... | standby propman (as Steven Westley) |
Ian Whiteford | ... | senior greens |
Derek Whorlow | ... | hod stagehand |
Nicholas Williams | ... | standby painter (as Nick 'Noodles' Williams) |
Greg Winter | ... | scenic artist |
Terry Woods | ... | property master (as Terry Wood) |
Nicky Demuth | ... | breakdown artist (uncredited) |
Scott A. Riley | ... | props (uncredited) |
Sean Samuels | ... | concept artist (uncredited) |
Sound Department
Mark Appleby | ... | adr mixer |
Justine Baker | ... | adr recordist |
Brian Bowles | ... | dialogue editor |
John Brady | ... | boom operator |
Jeremy Brown | ... | boom operator: second unit |
Jeanette Browning | ... | adr recordist |
John Casali | ... | production sound mixer |
Krissopher Chevannes | ... | adr mixer |
Peter Clarke | ... | playback operator |
Matt Coby | ... | sound effects recordist |
Marko A. Costanzo | ... | foley artist |
Duran Darkins | ... | sound trainee |
Mark DeSimone | ... | adr mixer |
Peter Eusebe | ... | boom operator: dailies |
John P. Fasal | ... | sound effects recordist |
Michael Feuser | ... | dialogue editor |
Jay Fisher | ... | adr mixer |
Dave Flynch | ... | foley supervisor |
Peter Gleaves | ... | adr mixer |
Heather Gross | ... | sound effects editor |
Lionel Guenoun | ... | teaser re-recording mixer |
Peter Hanson | ... | adr mixer |
Bobby Johanson | ... | adr mixer |
Doc Kane | ... | adr mixer |
Michael Keller | ... | re-recording mixer |
George A. Lara | ... | foley mixer |
Blake Leyh | ... | supervising sound editor |
Mark Lindauer | ... | adr stage engineer |
Alan MacFeely | ... | sound maintenance |
Dash Mason-Malik | ... | sound maintenance |
Jerome McCann | ... | sound mixer: second unit |
Shaun Mills | ... | additional sound mixer: second unit |
Milos Momcilovic | ... | sound assistant: second unit: dailies |
Chris Murphy | ... | boom operator |
Chris Navarro | ... | adr mixer |
Jon Olive | ... | playback operator: second unit |
Harry Platford | ... | adr recordist |
Mike Prestwood Smith | ... | re-recording mixer |
Michael Rivera | ... | adr recordist |
Branden Spencer | ... | supervising assistant sound editior |
Wyatt Sprague | ... | sound effects editor |
Grant Studart | ... | sound trainee |
Mike Tehrani | ... | adr recordist |
Daniel Timmons | ... | recordist (as Dan Timmons) |
Renee Tondelli | ... | supervising sound editor |
Keenan Wyatt | ... | sound technician: for Mr. Depp |
Alexa Zimmerman | ... | dialogue editor |
Lawrence Zipf | ... | recordist (as Larry Zipf) |
John Keane | ... | sound trainee (uncredited) |
Mariusz Langner | ... | sound editor (uncredited) |
Special Effects by
Julie Bentley | ... | snow effects consultant |
Ben Broadbridge | ... | special effects technician |
Laura Davison | ... | special effects buyer/coordinator |
Csaba László Eröss | ... | special effects coordinator |
Russell Farns | ... | assistant special effects technician |
Oliver Glover | ... | special effects workshop trainee |
José Granell | ... | miniatures supervisor |
Jennifer Groves | ... | special effects assistant |
Mathew Horton | ... | special effects floor supervisor |
Michael Hunter | ... | assistant special effects technician (as Mike Hunter) |
Martin Jago | ... | special effects trainee: dailies |
Roger Mann | ... | senior special effects technician |
Jordan May | ... | special effects workshop trainee |
Jason McCameron | ... | special effects workshop supervisor |
Phil McLaren | ... | special effects technician |
Tim Mitchell | ... | senior special effects technician |
Bernard Newton | ... | special effects |
Karl Openshaw | ... | special effects technician: model unit |
Stefano Pepin | ... | special effects supervisor |
Scott Peters | ... | daily sfx technician |
Nick P. Phillips | ... | senior special effects technician |
Alistair Poulter | ... | special effects |
Ronnie Rackley | ... | assistant special effects technician |
Sascha Robey | ... | special effects crew |
Helen Rowe | ... | silicone technician |
Matthew Sheehy | ... | special effects workshop trainee |
Tony Smart | ... | special effects technician |
George Spensley-Corfield | ... | fabricator |
Richard Stanbury | ... | special effects modeler |
Nigel Stone | ... | director of photography: miniature unit |
Suzie F. Wiesmann | ... | production manager: miniature unit |
Drew Wills | ... | special effects trainee |
Visual Effects by
Tony Abejuro | ... | lead digital artist (as Anthony Abejuro) |
Mayur Dadarao Adhau | ... | Line Producer: VFX |
Sagar Adokar | ... | lead digital artist |
James Albiez | ... | visual effects artist |
Kaevski Aleksandar | ... | rotoscope artist: fx3x |
Juan Alonso | ... | digital compositor |
Kapil Dev Anand | ... | asset lead |
Seshadri Anand | ... | matchmove & rotomation |
Sophie Anderson | ... | visual effects data wrangler |
Adrien Annesley | ... | animator: MPC |
Ryan Arcus | ... | layout technical director: MPC |
Yavor Asenov | ... | digital compositor: Atomic Arts |
Viviane Assaad | ... | roto and paint lead |
Mathieu Assemat | ... | head of techanim |
Baburajan | ... | modeler |
Matthew Badham | ... | vfx on set pa: additional photography |
Sanjay Baliga | ... | lead roto animation |
Samantha Banack | ... | visual effects coordinator |
Berj Bannayan | ... | visual effects supervisor |
Guillaume Baron | ... | digital compositor |
Katrina Barton | ... | visual effects coordinator |
Brian Baxter | ... | modeling and texturing artist: MPC |
Nicolas Beaufays | ... | digital compositor: MPC |
Francis Beauregard | ... | technical animator |
Michael Becki | ... | head of layout montreal: MPC |
Simon Black | ... | animator: MPC |
Daniel Blewett | ... | production assistant: model unit |
Genevieve Boisvert | ... | project manager |
Daniel Boivin | ... | lead compositor |
Kishore Boloor | ... | lead digital artist |
Micha Boström | ... | previs artist |
Thomas Bourdis | ... | lighting technical director: MPC |
Justin Brekke | ... | production operations manager: MPC |
Bertrand Breuze | ... | lead digital compositor: MPC |
Tristan Brown | ... | digital compositor |
Florent Cachot | ... | lighting technical director / lighting technical director: MPC |
Kev Cahill | ... | visual effects |
Mark Carr | ... | visual effects editor |
Erico Caselle | ... | fx artist: MPC |
Carlos Chacin | ... | visual effects production |
Raviraju Challa | ... | digital artist |
Jeffrey Chan | ... | digital compositor: Soho VFX |
Anoop Chandran | ... | matchmove & rotoanim artist: MPC |
Barish Chandran | ... | senior pipeline developer: MPC |
Nicolas Chevallier | ... | 2d supervisor: MPC / compositing supervisor: MPC |
Goby Hsiao Yun Chou | ... | effects technical director: MPC |
Melissa Chou | ... | project manager |
Marie-Joëlle Clément | ... | business development coordinator / executive assistant (as Marie-Joelle Clément) |
Sarah Coatts | ... | visual effects producer: yU+co |
Natalie Conliffe | ... | texture artist |
Chris Cornish | ... | cyber scanning supervisor |
Justin Cornish | ... | visual effects supervisor: Atomic Arts |
Craig Crane | ... | lidar supervisor |
Bogdan Cristescu | ... | digital compositor |
Poprizov Cvetan | ... | paint artist: FX3X |
Melina Tancheva Cvetanoska | ... | roto artist |
Samuel Côté | ... | department coordinator: MPC |
Payal Dani | ... | visual effects production |
Emily Davis | ... | visual effects coordinator |
Tony de Waal | ... | previsualization supervisor |
Stevan Del George | ... | lead compositor: yU+co |
Andres Delia | ... | digital compositor |
Stanley A. Dellimore | ... | global head of layout: MPC |
Aaron Dennis | ... | effects technical director: MPC |
Pascal Depocas | ... | digital compositor |
Santosh Kumar Dey | ... | matchmove & rotoanim artist: MPC |
Nicolas Deziel | ... | digital compositor |
Valeria di Gabriele | ... | visual effects coordinator: MPC |
Paola Di Salvo | ... | accounting |
Craig Dibble | ... | lead render systems engineer: MPC |
Dejan Dimovski | ... | paint artist |
Curtis Doherty | ... | visual effects coordinator: MPC |
James Dower | ... | previsualization artist |
Kristen Drewski | ... | visual effects coordinator |
Stefan Drury | ... | visual effects producer: pre-production: MPC |
Gregory Ducatel | ... | head of technology |
Pierre Dufour | ... | previsualization artist |
Christopher Edwards | ... | previs creative director: The Third Floor Inc. |
Clwyd Edwards | ... | head of vfx |
Sarah Edwards | ... | model unit |
Amir Wahid Eleswy | ... | lighting technical director: MPC |
Denny Ertanto | ... | digital compositor: MPC |
Pierre Escande | ... | visual effects producer: MPC |
Sarah Essam | ... | visual effects production manager: MPC |
Amanda Farinos | ... | fx department coordinator: MPC |
Charles-e Farkas | ... | digital compositor: MPC |
Jessica Fernandes | ... | art department producer: MPC |
Natasha Ferreira da Silva | ... | visual effects production |
Nicolas Fidala | ... | matte painter: MPC |
Marilyne Fleury | ... | matte painter: MPC |
Pauline Fowler | ... | creature effects designer |
Bruno Gagné | ... | digital compositor |
Jamil Gali | ... | senior previs animator |
Jamil Gali | ... | previs artist: The Third Floor Inc. |
Christian Garcia | ... | cg supervisor |
Catherine Gaucher | ... | visual effects production assistant: MPC |
Cosmin Ghiga | ... | matte painting: MPC |
Burcu Gorun | ... | digital compositor |
Rusty Gray | ... | animator: MPC |
Ivan Grozev | ... | digital compositor: Atomic Arts |
Jeanlin Guillaume | ... | lighting technical director: MPC |
Matt Hansen | ... | visual effects artist |
Patrick Harboun | ... | modeling and texturing lead |
James Hood | ... | rigging td |
Danny Huerta | ... | visual effects production manager: MPC |
Benoît Huguet | ... | fx artist: MPC |
Christian Irles | ... | visual effects supervisor: MPC |
Sam Jackson | ... | cyber scanning supervisor |
Deepak Jalesh | ... | visual effects coordinator |
Matt Johnson | ... | visual effects supervisor |
Vivek Joshi | ... | visual effects production |
Linda Jules | ... | cg modeller |
Guillaume Julien | ... | senior modelling TD: MPC |
Dinesh K. Bishnoi | ... | matchmove artist: The moving picture company |
Rajesh Kumar K.V. | ... | matchmove artist: MPC |
Aditya Kadam | ... | visual effects production |
Khushboo Kakar | ... | visual effects production |
Anurag Kapil | ... | matchmove artist |
Ranajoy Kar | ... | digital artist: MPC |
Claver Knovick | ... | previs assoc. prod. manager: The Third Floor Inc. / previs associate production manager: The Third Floor Inc. |
Allie Koppel | ... | previs accountant: The Third Floor Inc. |
Peter Koss | ... | digital compositor: MPC |
Dorota Kowalska | ... | visual effects production manager: MPC |
Navaneetha Krishnan | ... | lead digital artist |
Tanya Kular | ... | digital compositor |
Sujay Kumar G. | ... | matchmove artist: MPC |
Deep Kumar | ... | digital artist |
Madhav Kumar | ... | asset lead |
Prashant Kumar | ... | roto animation |
Benoit Ladouceur | ... | lead matte painter: MPC |
Louis Laflamme-Fillion | ... | digital compositor: MPC |
Guillaume Laforge | ... | lead software developer: MPC |
Emanuel LaFrance | ... | senior digital compositor: MPC |
Zoe Lamaera | ... | digital compositor: MPC |
Richard Lapointe | ... | system administrator |
Loic Laurelut | ... | digital compositor: MPC |
Mark LeDoux | ... | compositor |
Tim LeDoux | ... | visual effects supervisor: Crafty Apes |
Patrick Lemay | ... | technical assistant |
Alex Lemke | ... | in-house compositing artist |
Nahuel Letizia | ... | fx artist: MPC |
Eric Leverenz | ... | DI Conform Editor |
Brooke Lyndon-Stanford | ... | visual effects supervisor: Atomic Arts |
Constance Lévesque | ... | visual effects coordinator |
Antony Magdalinidis | ... | grooming artist: MPC |
Allan Magled | ... | visual effects producer: Soho VFX |
Suryakant Mahunta | ... | digital artist |
Jennifer Maillet | ... | digital compositor |
Ramesh Manchanda | ... | visual effects production |
Allison March | ... | visual effects production assistant |
Richard Matsushita | ... | 3d generalist |
Matthew Maude | ... | lighting lead: MPC |
David Mayhew | ... | lead digital artist |
Corey Mayne | ... | digital compositor |
Marlin McGlone | ... | data operative |
Tracey McLean | ... | matte painter: mpc |
Luis Jorge Medina | ... | digital compositor |
Louis-Simon Menard | ... | executive producer |
Veronique Messier Lauzon | ... | visual effects production manager: MPC |
Damjan Minovski | ... | Roto/Paint Artist: FX3X |
M.S.M. Mirzhaa | ... | digital compositor |
Jambunatha Mn | ... | matchmove artist: The Moving Picture Company |
Buhas Mohammedunny P. | ... | lead digital artist: MPC (as Buhas Mohammedunny) |
Jaideep Mohan | ... | digital compositor: MPC |
Louis-Gilles Montagne | ... | human resources |
Daniel Moore | ... | visual effects data wrangler: MPC |
Beth Moran | ... | visual effects editor |
Shannon Moran | ... | vfx marketing editor: MPC |
Guillaume Morin | ... | visual effects production |
Julia Mueller-Madaus | ... | digital compositor: MPC |
Oriane Mulleras-El Atmani | ... | lighting technical director: MPC |
Prashant Nair | ... | lead digital artist |
Surendra Nath | ... | visual effects production |
Shaan Nelson | ... | rotoanim artist: The Moving Picture Company |
Marcin Nikiforuk | ... | matte painter: Soho VFX |
James P. Noon | ... | tracking |
Natasha North | ... | visual effects production manager |
Steven O'Connor | ... | digital compositor: MPC |
Nguon Vissal Ong | ... | senior digital compositor: MPC |
Jojan P M | ... | pipeline software developer: MPC |
Nitheesh P.C. | ... | lead digital artist / matchmove lead: The Moving Picture Company |
Matthew Packham | ... | lead digital artist |
Suneel Kumar Palla | ... | matchmove artist at MPC |
Louis-David Paquette | ... | layout artist: MPC |
Puja Parikh | ... | visual effects production |
Navarro Parker | ... | main titles and graphics: credits sequence |
Amy Paskow | ... | digital matte painter |
Kai Pedersen | ... | lighting technical director: MPC |
Benoit Pelchat | ... | senior matte painter: MPC |
Joep Peters | ... | texturing artist: MPC |
Goran Petrushevski | ... | paint artist |
Brigitte Pharand | ... | material resources manager |
Victor Pillet | ... | technical animator |
Jan-Fryderyk Pleszczynski | ... | executive producer |
Stephanie Pocklington | ... | visual effects td |
Tim Pounds-Cornish | ... | visual effects production manager |
Holly Price | ... | visual effects production manager |
Ankit Priya | ... | paint/prep artist: mpc |
Sebastien Proulx | ... | digital compositor (as Sébastien Proulx) |
Francis Provencher | ... | lead systems administrator: MPC |
Guillermo Pussetto | ... | system administrator |
Woreshmean Qudrat | ... | visual effects production coordinator: Soho VFX |
Prabhakaran R. | ... | matchmove artist: MPC - uncredited |
Rajabose | ... | matchmove artist: MPC |
Velmurugan Rajamani | ... | visual effects artist |
Vasisht Ramachandran | ... | senior lighter: Soho VFX |
Sudeep Ramasamy | ... | lead digital artist |
Karthic Ramesh | ... | digital compositor: Soho VFX |
Guillermo Ramos | ... | digital compositor |
Venkatesh Ramu | ... | digital compositor |
Jennifer Renaud | ... | production coordinator |
Renganath | ... | matchmove artist: MPC |
Matthew Riche | ... | 3d artist |
Michelle Roll | ... | visual effects assistant coordinator (as Michelle Helene Roll) |
Vanessa Romero | ... | digital compositor |
Sandeep Roy | ... | digital artist: Roto Animation / Matchmove |
Paul Saint-Hilaire | ... | digital compositor |
Sean Samuels | ... | digital matte painter: MPC |
Marine Samyn | ... | digital compositor: MPC |
Jason Sanford | ... | visual effects producer: Crafty Apes |
B.S. Rajkumar Sapate | ... | matchmove artist: The Moving Picture Company |
Sathishbabu | ... | matchmove artist |
Jennifer Lee Scheer | ... | production manager |
Sajith Sethumadhavan | ... | visual effects artist MPC |
Kerry Shea | ... | previs vp of production: The Third Floor Inc |
Swain Shiv | ... | visual effects artist |
Yuri Shubenin | ... | digital compositor |
Frédéric Sicotte | ... | technical director |
Elena Simonovska | ... | roto artist |
Maxime Sirven | ... | visual effects editor: MPC |
Gabriel Sitjas | ... | digital compositor: Atomic Arts |
Peter Skovsbo | ... | producer |
Bojana Solomonova Vishemirski | ... | visual effects producer (as Bojana Solomonova) |
Reyffer Sousa | ... | digital compositor |
P. Sriram | ... | digital compositor: MPC |
Elke Starck | ... | visual effects production |
Kasy Stein | ... | digital compositor |
Vinayaga Sundar | ... | digital artist: MPC |
Hemanth Surana | ... | digital artist |
Santiago Svirsky | ... | lead digital compositor: MPC |
Sarah Swick | ... | visual effects producer: Soho VFX |
Attila Szalma | ... | head of envrionments: MPC |
Patrick Taillefer | ... | render wrangler |
Florent Taisne | ... | digital compositor: MPC |
Adam Tamel | ... | digital compositor |
Dann Tarmy | ... | cg supervisor: MPC (as Daniel Tarmy) |
Biljana Temelkova | ... | paint artist |
Mike Terrigno | ... | digital compositor |
Jean-Philippe Therrien | ... | public relation adviser |
Olivier Thibaut | ... | senior software developer: MPC |
Richard Thomas | ... | model unit |
Terry Thompson | ... | effects technical director: MPC |
Scot D. Thomson | ... | technical director |
Kire Timov | ... | paint artist |
Jeff Tong | ... | modeler: Soho VFX |
Josselin Tonnellier | ... | fx lead: MPC |
John Treusch | ... | visual effects artist |
Philip Trieu | ... | visual effects artist |
Christophe Trépanier | ... | digital compositor |
Tara Tucker-Matheson | ... | visual effects production |
Desislava Valcheva | ... | senior nuke compositor |
Bojan Valjak | ... | matchmove |
Jozef van Eenbergen | ... | software developer: MPC |
Prajwal Vas | ... | digital compositor |
Anandan Vasudevan | ... | visual effects artist |
Rajesh Velayudhan | ... | matchmove & rotoanim artist: mpc |
Oliver Velichkovski | ... | paint artist |
Mahadevan Vishal | ... | modeling & texturing artist: MPC |
Aleksandar Vishemirski | ... | visual effects supervisor |
Kendrick Wallace | ... | visual effects producer |
Nik Williams | ... | creature effects: assistant |
Garrett Wilson | ... | editorial |
Greg Winhall | ... | cg modeler |
Andrew Winters | ... | 3d artist |
Paul Wojdylo | ... | lighting artist |
Stephen T.Y. Wong | ... | compositor: MPC (as Stephen Wong) |
Sunny Wong | ... | digital compositor |
Xye | ... | tracking |
Aviv Yaron | ... | visual effects photography |
Farrah Yip | ... | visual effects production assistant |
Masahito Yoshioka | ... | fx lead: MPC |
Alphonso Young | ... | digital compositor: Soho VFX |
Simon Zaurrini | ... | FX Department Manager: MPC Montreal |
Rehan Abdulovski | ... | visual effects artist (uncredited) |
Manuel Agost | ... | software developer (uncredited) |
Emil Alagjozovski | ... | paint artist (uncredited) |
Najdovski Aleksandar | ... | visual effects artist (uncredited) |
Marie-Eve Baron | ... | production coordinator (uncredited) |
Thomas Buckingham | ... | render/data support: MPC (uncredited) |
Chandrasekhar | ... | digital effects (uncredited) |
Teddy Cheong | ... | roto artist (uncredited) |
Zoran Dimanovski | ... | paint artist (uncredited) |
Jean-François Ferland | ... | digital compositor (uncredited) |
Lince Francis | ... | senior matchmover (uncredited) |
Katarina Gacevska | ... | senior paint artist (uncredited) |
Noah Hamdan | ... | environment td/digital matte painter (uncredited) |
Michael Huber | ... | visual effects artist (uncredited) |
Lazetutkovski | ... | paint artist (uncredited) |
Vasko Nikolovski | ... | visual effects artist (uncredited) |
Mile Petrushevski | ... | paint & prep artist (uncredited) |
Bandhavit Puangpikul | ... | tracking (uncredited) |
Elena Velkova | ... | paint artist (uncredited) |
Stunts
Juliette Cheveley | ... | stunt performer |
Nick Chopping | ... | stunt performer |
Tamlyn Clark | ... | stunt performer |
Jonathan Cohen | ... | stunt performer |
James Cox | ... | stunt performer |
Daniel Dow | ... | stunt performer |
Annalese Ferrari | ... | stunt double: Emily Blunt / stunt performer |
Nic Goodey | ... | stunt performer |
David R. Grant | ... | stunt double / stunt performer |
Dee Harrup | ... | stunt performer (as Dee Harrop) |
Paul Howell | ... | stunt performer |
Richard Mead | ... | stunt rigger |
Dilu Miah | ... | stunt performer |
Casey Michaels | ... | stunt double: Anna Kendrick : Lilla Crawford / stunt performer |
Mark Mottram | ... | stunt coordinator |
Chris Newton | ... | stunt performer / utility stunts |
Janet Parker | ... | stunt performer |
Justin Pearson | ... | stunt double: The Baker / stunt performer |
Peter Pedrero | ... | stunt performer / stunt safety team |
Andy Pilgrim | ... | stunt double: Billy Magnussen / stunt performer |
Shane Steyn | ... | stunt double / stunt performer |
Matthew Stirling | ... | stunt performer (as Matt Sterling) |
Simon Whyman | ... | stunt performer / utility stunts |
Annabel Elizabeth Wood | ... | stunt performer (as Annabel Wood) |
Tom Hallahan | ... | double: Chris Pine (uncredited) |
Edd Osmond | ... | stunt performer (uncredited) |
Leo Woodruff | ... | utility stunts (uncredited) |
Camera and Electrical Department
Into The Woods Script Pdf
Mark Alvarez | ... | electrician |
Andrew Banwell | ... | first assistant camera (as Andy Banwell) |
Thomas Barber | ... | camera trainee: additional photography |
Adrian Barry | ... | b camera grip |
Paul Bates | ... | best boy floor |
Damien Beebe | ... | b camera operator |
Alex Bender | ... | second assistant camera: miniatures unit |
Jack Bentley | ... | camera trainee: second unit |
Jeremy Braben | ... | aerial director of photography |
Quentin Brown | ... | digital imaging technician: additional photography / digital imaging technician: miniatures unit |
Rogan Brown | ... | additional grip |
Emmet Cahill | ... | crane grip: splinter unit |
Tony Cardenas | ... | chargehand electrical rigger |
Cade Conetta | ... | electrician |
Guy Cope | ... | hod electrical rigger |
Kristin Davis | ... | data management technician: additional photography |
Sean Davis | ... | electrician |
Joshua Dempsey | ... | electrician |
Chris Dickinson | ... | electrician |
David Draper | ... | grip |
Graham Driscoll | ... | rigging desk operator |
Tom Elgar | ... | video playback operator: second unit |
Harry Elvin | ... | crane technician: dailies |
Doiminic Evans | ... | data management technician (as Dom Evans) |
Conor Finlay | ... | rigging electrician |
Paul Flint | ... | data management technician |
James Foreman | ... | electrician |
Mark Fortune | ... | electrician |
Noam Galai | ... | still photographer |
Harry Gamble | ... | b camera second assistant |
Chris Gilbertson | ... | lighting desk operator |
Emily-Jane Grainger | ... | rigging electrician (as Emily Grainger) |
Ross Grainger | ... | rigging gaffer |
Julian Guest | ... | rigging electrician |
Alan Hall | ... | b camera first assistant |
Richard Harrowing | ... | second unit electrician |
Harlon Haveland | ... | electrician |
Peter Hayley-Barker | ... | video playback trainee |
Colin Hazell | ... | head technician |
Sam Hazell | ... | crane technician |
Gary Hedges | ... | rigging electrician (as Garry Hedges) |
Sam Horsefield | ... | rigging/set electrician |
Gary Hymns | ... | key grip |
Sam Irwin | ... | camera trainee: 2nd Unit Daily |
Will Kendal | ... | best boy |
Alistair King | ... | camera trainee |
Dora Krolikowska | ... | second assistant camera: 'a' camera, second unit |
Alex Kruszelnicki | ... | video assist assistant |
Oliver Loncraine | ... | camera operator: miniature unit |
Steve Macher | ... | electrical rigger |
Dave Marriott | ... | electrician |
Peter Marsden | ... | digital imaging technician |
Matthew Martin | ... | balloon light technician |
Paul McGeachan | ... | gaffer |
Danny McGee | ... | lighting technician |
Malcolm McGilchrist | ... | a camera grip |
Peter Mountain | ... | still photographer |
Roz Naylor | ... | first assistant camera: second unit, dailies |
Jason Noble | ... | rigging electrician |
Olly Ownsworth | ... | electrical rigger |
Alan Perrin | ... | drone pilot |
Jim Philpott | ... | grip (second unit) |
William Poynter | ... | electrical rigger (as Billy Poynter) |
Vincent Prunier | ... | electrician: dailies |
Oliver Ramsey | ... | video operator: miniatures unit |
Terry Robb | ... | rigging electrician |
Steve Roberts | ... | second unit gaffer (as Stephen Roberts) |
Peter Robertson | ... | a camera operator / steadicam operator |
Ian Robson | ... | rigging electrician |
Cullum Ross | ... | electrician: dailies |
Jack Sands | ... | camera trainee |
Fabrizio Sciarra | ... | additional steadicam operator |
Stuart Sheppard | ... | electrician |
Dave Sherman | ... | electrician |
Adam Slater | ... | electrician |
Gary Smith | ... | best boy grip (as Gary 'Gizza' Smith) |
Paul Snell | ... | a camera second assistant |
Alan Stewart | ... | second unit camera operator / second unit director of photography |
Thomas Tann | ... | electrician |
Olly Tellett | ... | a camera first assistant |
Garry Thomson | ... | chargehand rigging electrician |
Steven Toft | ... | video assist assistant (as Steve Toft) |
Steve Walsh | ... | electrician |
Andy Watson | ... | electrical rigger |
Peter Welch | ... | digital imaging technician: second unit |
David Wheeler | ... | standby electrical rigger |
Michael White | ... | lighting technician: model unit |
Shawn White | ... | gaffer: additional photography |
Zoe Whittaker | ... | video playback operator |
Ben Wilson | ... | additional camera operator: second unit |
Daniel Wombwell | ... | camera trainee: dailies |
Animation Department
Benoit Dubuc | ... | animation supervisor |
Hayley Fromstein | ... | animator |
Jamil Gali | ... | senior previs animator |
David Gimenez | ... | animator |
Jordan Hansen | ... | animator: opening sequence - yU+Co |
HyunKyung Jung | ... | animator (MPC) |
Justin Mah | ... | animator |
Thiago Lima Martins | ... | animator: MPC |
Casting Department
Into The Woods Jr Script
Solomon Artistes | ... | extras casting |
Elizabeth Chodar | ... | casting assistant |
Dann Fink | ... | adr voice casting |
Kelly Valentine Hendry | ... | casting consultant: UK |
Victor Jenkins | ... | casting consultant: UK |
Cesar Rocha | ... | casting assistant |
Bruce Winant | ... | adr voice casting |
Jennifer Yoo | ... | casting assistant |
Costume and Wardrobe Department
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David Bethell | ... | costume maker |
Emma Bevan | ... | principal costume stand by (as Emma Bevan-Hyde) |
Kaniez Braganza | ... | costume maker |
Sacha Chandisingh | ... | costume textile artist |
Charlotte Child | ... | principal costume stand by |
Christian Cordella | ... | costume illustrator |
Lizzie Craig | ... | costume maker |
Ursula Crocker | ... | costume trainee: dailies |
Arabella Dean | ... | costume maker |
Nicole Dempster | ... | costume maker |
Lucy Denny | ... | costume cutter |
Maria Endara | ... | costume maker |
Lydia Farley | ... | trainee costume maker |
Gabrielle Firth | ... | costume textile artist |
Wubbina Fokkens-Kiernan | ... | costume maker |
Nicole Garippo | ... | costume coordinator |
Georgina Gordon-Smith | ... | costume textile artist |
Amanda Hambleton | ... | costume assistant |
Jessica Harris-Freeth | ... | costume maker |
Sophie Hart-Walsh | ... | set costumer |
Jenny Hawkins | ... | Costumer to Meryl Streep / principal costume stand by |
Esther Himer | ... | costume maker |
Sarah Howson | ... | costume maker |
Josie Hunt | ... | costume trainee (as Josephine Hunt) |
Jennifer Johnson | ... | workroom trainee |
Emily Knight | ... | costume buyer |
Jane Law | ... | Costumes for Chris Pine and Billy Magnussen |
Catherine Lovett | ... | crowd wardrobe mistress (as Cat Lovett) |
Alison Lyons | ... | costume trainee/pa - prep |
Asia Macey | ... | principal costume stand by |
Susan MacKenzie | ... | costume maker: principal characters (as Sue Mackenzie) |
Amanda Mattes | ... | tailor |
Philip Mauger | ... | costume cutter |
Courtney McClain | ... | costume buyer |
Amelia McKinney | ... | costume buyer |
Leila Merabti | ... | costume department coordinator |
Karen Naser | ... | costume cutter |
Emma O'Connor | ... | costume maker |
Adedoyin Olushonde | ... | costume maker |
Hannah Peitzman | ... | costume production assistant |
Jessica Phillips | ... | principal costume stand by |
Jennifer Powell | ... | costume maker |
Karolyn Reece | ... | costume maker |
Lora E. Revitt | ... | assistant costume designer (as Laura Revitt) |
Marie-Madeleine Sarson | ... | costume alterations (as Marie-Madeleine Hadley) |
Margarethe Schmoll | ... | costume maker |
Dulcie Scott | ... | costume supervisor |
Kimberley Scott | ... | costume trainee |
Katie Sheehy | ... | crowd costumer |
Chloe Stanyon | ... | costume propmaker |
Hayley Clair Stewart | ... | costume trainee (as Hayley Stewart) |
Jack Taggart | ... | ager/dyer |
Sarah Touaibi | ... | crowd costume supervisor |
Cecile Van Dijk | ... | costumer |
Rebecca Witt | ... | costume trainee |
Lex Wood | ... | principal costume stand by |
Damon Wridgway | ... | costume production assistant: dailies |
Yvonne Otzen | ... | costumer (uncredited) |
Editorial Department
Matt Adams | ... | sales executive: UK |
Cherri Arpino | ... | digital dailies: producer |
Victoria Bate | ... | 2nd assistant editor |
Thom Berryman | ... | digital picture services |
Gemma Bourne | ... | editorial trainee |
Jodie Davidson | ... | digital dailies colorist |
Rob Duffield | ... | assistant editor (as Robert Duffield) |
Chema Gomez | ... | dailies data manager |
Anthony Halsema | ... | digital intermediate producer |
Rebekah Hernandez | ... | post-production coordinator |
Tristan Hey | ... | digital dailies: data assist |
Gershon Hinkson | ... | first assistant editor |
Eric Horwitz | ... | digital intermediate engineer |
Stacey Lee | ... | data manager |
Eric Leverenz | ... | conform editor |
Josh Miller | ... | marketing post supervisor |
Andy Morrison | ... | additional editor: test sequences |
Ryan Pierce | ... | assistant editor |
Kevin Reeves | ... | mastering and deliverables |
Adam Schaefer | ... | second assistant editor |
John St. Laurent | ... | dailies engineer |
Corey Stewart | ... | digital intermediate engineer |
Tim Stipan | ... | digital intermediate colorist |
Jack Watts | ... | senior digital cinema compressionist |
Location Management
Duncan Broadfoot | ... | location manager |
James 'Fingers' Buxton | ... | assistant location manager (as James Buxton) |
Rob Campbell-Bell | ... | assistant location manager |
Emily Coldwell | ... | location marshal |
Nilan Dharmadasa | ... | location marshall |
Joseph Gould | ... | location assistant (as Joe Gould) |
Charlie Hayes | ... | location manager |
Ali James | ... | supervising location manager |
Sarah Kate Lewis | ... | location assistant (as Sarah-Kate Lewis) |
Daniel Peacock | ... | locations runner |
David Powell | ... | key location assistant |
Ben Sanderson | ... | location marshall |
Dean Short | ... | location assistant |
Ruby Whitelocke | ... | location assistant (as Ruby Whitlocke) |
Finlay Bradbury | ... | location manager (uncredited) |
Lenart Cernilogar | ... | location marshall (uncredited) |
Music Department
Kevin Amos | ... | rehearsal pianist |
Chris Baron | ... | musician: percussion |
Chris Barrett | ... | music recordist |
Mark Berrow | ... | musician: violin |
Daniel Bhattacharya | ... | violinist |
Rachel Bolt | ... | viola |
Jim Bruening | ... | assistant music editor |
Nicholas Bucknall | ... | musician: clarinet |
Jo Changer | ... | assistant orchestra contractor |
Peter Clarke | ... | music editor |
John DeLuca | ... | music staging and production |
Michael Dore | ... | singer |
Andrew Dudman | ... | music recorded and mixed by |
Jennifer L. Dunnington | ... | music editor |
Paul Edmund-Davies | ... | musician: flute |
Jason Elliott | ... | assistant engineer |
Andrew Findon | ... | musician: flute |
Joanna Forbes | ... | singer |
Paul Gemignani | ... | conductor / music supervisor |
Dave Hage | ... | copyist |
David Hage | ... | music librarian |
Michael Higham | ... | additional arrangements (as Mike Higham) / music producer (as Mike Higham) / music supervisor (as Mike Higham) / supervising music editor (as Mike Higham) |
Robert Houston | ... | music editor |
Karen Jones | ... | solo flute |
Skaila Kanga | ... | musician: harp |
Julian Kershaw | ... | additional orchestrations: and additional conducting |
David Krane | ... | musical score adaptation |
Mitchell Leib | ... | executive in charge of music |
Steve Mair | ... | musician: double bass |
Matthew Margeson | ... | additional arrangements (as Matt Margeson) |
Dorina Markoff-McNulty | ... | musician |
Rob Marshall | ... | music staging and production |
Metro Voices | ... | choir |
George Oulton | ... | assistant score engineer |
Patrick Savage | ... | musician |
Fred Sladkey | ... | assistant engineer |
Gareth Small | ... | musician: trumpet |
Stephen Sondheim | ... | music and lyrics by / music consultant |
Joshua Thoms | ... | assistant engineer |
Jonathan Tunick | ... | orchestrations |
Eric Vetro | ... | vocal coach: additional |
Don Welty | ... | music business and legal affairs |
Rolf Wilson | ... | orchestra leader |
Bruce Witkin | ... | vocal coach: to Mr. Depp |
Transportation Department
Paul Akbar | ... | unit driver |
Phil Allchin | ... | transportation captain (as Philip Allchin) |
Waseem Barlas | ... | unit driver |
Nigel Birtchnell | ... | driver: for Mr. Marshall and Mr. DeLuca |
John Burden | ... | mini bus driver: hod |
Dean Burtenshaw | ... | driver/crew / unit driver |
Colin Davis | ... | unit driver |
Alan Emanuel | ... | driver: for Mr. Platt |
Peter Herst | ... | unit driver |
Carl Isherwood | ... | driver: cast |
Franca Jade | ... | vehicles: hod 4x4s |
Tony Jayes | ... | unit driver |
Roy Kirkman | ... | unit driver |
Craig Leighton | ... | unit driver |
Colin Morris | ... | personal driver: Meryl Streep |
Ron Narduzzo | ... | unit driver (as Ronald Narduzzo) |
Abbi Ozturk | ... | unit driver |
Martin Parry | ... | h.o.d tech trucks main unit |
Francisco Pinto | ... | unit driver |
Terry Rhys | ... | unit driver |
Emma Savin | ... | 4x4 driver |
Lawler Shadene | ... | transport facilities crew |
Clive Shaw | ... | 4x4 driver |
Jim Stephens | ... | unit driver |
Peter Trotman | ... | driver: Johnny Depp (as Pete Trotman) |
Paul Venezia | ... | unit driver |
Piotr Walczak | ... | h.o.d facilities (as Peter Walczak) |
Bill Walker | ... | unit driver |
Darren Westover | ... | transportation |
Terry Wilde | ... | unit driver |
Mo Zadeh | ... | unit driver |
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Other crew
Jason Alvidrez | ... | staff production coordinator |
Max Baker | ... | additional voices |
Steven Baldwin | ... | production assistant: additional photography |
Joe Beckwith | ... | payroll accountant: US |
Matt Berkeley-Lobato | ... | production staff |
Lisa Berridge | ... | production assistant |
Lottie Birmingham | ... | set production assistant |
Emma Brazier | ... | payroll accountant |
Sarah Brook | ... | assistant accountant |
Perry Brookes Jr. | ... | stand in: James Corden / Billy Magnussen (as Perry Brookes) |
Monique Brown | ... | production secretary |
Bridgett Buss | ... | production coordinator: electronic press kit |
Grant Butler | ... | set production assistant |
Dougal Cadiou | ... | production accountant |
Victoria Cartwright | ... | environmental steward |
Rosie Coker | ... | Assistant to Cast |
Ian Creed | ... | marine supervisor |
Devis Damonte | ... | assistant accountant |
Shaun Davis | ... | assistant accountant |
Sam Dent | ... | additional horse master |
Steve Dent | ... | horses |
Stephen Deuters | ... | assistant: to Mr. Depp |
Jonathan Dwyer | ... | adr/voice talent |
Jake Edwards | ... | production secretary |
Xanthe Elbrick | ... | additional voices |
Shaun Emery | ... | insurance broker |
Laura Evans | ... | production assistant |
D.R. Farquharson | ... | project manager (Deluxe Digital Cinema) |
Amelia Ferrand-Rook | ... | stage manager |
Dann Fink | ... | additional voices |
Katie Firth | ... | additional voices |
Chris Flockton | ... | additional voices |
Steve French | ... | additional voices |
Suzanne Garnett | ... | production staff (as Suzanne Mayger) |
Kya Garwood | ... | stand-in/double: Meryl Streep / stand-in: Anna Kendrick, Emily Blunt |
Annie Gaudet | ... | Post Production Accountant |
Suzanna Geraghty | ... | additional voices |
Sam Girdler | ... | crowd production assistant |
Gail Gostick | ... | set production assistant: second unit |
Gwen Griffiths | ... | animal trainer (as Gwendolen Griffiths) |
Katherine Holder | ... | cashier |
Nathan Holmes | ... | assistant: to Mr Depp |
Gabrielle Jochym | ... | production coordinator |
Rory Johnston | ... | set production assistant |
Brandon Jones | ... | senior production engineer |
Samual Jones | ... | set production assistant |
Susie Jones | ... | 2nd unit script supervisor |
Trisha Joyce | ... | unit medic: second unit |
Eman Kazemi | ... | set production assistant: second unit |
Ben Kozel | ... | production assistant |
Joseph Landreth-Smith | ... | stand-in |
Bill Lawrence | ... | animal trainer: cow |
Kelly Lee | ... | assistant production coordinator |
Polly Lee | ... | additional voices |
Joey Levy | ... | executive assistant: to Mr. Platt |
Rob Levy | ... | security |
Michael Lewis | ... | financial controller |
Tom Lowes | ... | Unit osteopath/physio |
Chris Manger | ... | horsemaster |
Alana Marmion-Warr | ... | script supervisor: 2nd unit |
Andrew Marshall | ... | accounts assistant |
Natalie Martins | ... | stand-in: Anna Kendrick |
Jonas C. Matz | ... | Safety |
Matthew David McCarthy | ... | body double to James Corden |
Tammy McNeill | ... | additional voices |
Randy Miller | ... | Crashing tree sounds |
Lucy Jayne Murray | ... | stand-in: Anna Kendrick |
Annabel Norbury | ... | assistant: Meryl Streep |
Edd Osmond | ... | picture double: Jack |
Hermes Pavli | ... | security |
Simon Pearl | ... | additional voices |
Christine Pedi | ... | additional voices |
Joey Pizzi | ... | musical staging associate |
Matthew Radway | ... | picture double: The Baker |
James J. Reid | ... | set production assistant: second unit |
Marlon Beyer Rieger | ... | directors assistant: additional photography |
Caroline Roberts | ... | executive assistant to Rob Marshall & John DeLuca |
Patricia Robertson | ... | animal handler |
Richard Rogan | ... | assistant production coordinator |
Mark Rowan | ... | health & safety officer |
Helen Seery | ... | production accountant |
Lawler Shadene | ... | facilities |
Sandra Shipley | ... | additional voices |
Barry Sigrist | ... | physical therapist |
Tom Smalley | ... | production assistant: to Mr. Marshall and Mr. DeLuca |
Louise Marie Smith | ... | environmental steward |
Rob Soto | ... | assistant accountant (as Roberto Soto) |
Bertie Spiegelberg | ... | production coordinator |
Tom Patrick Stephens | ... | additional voices |
Elaine Stephenson | ... | assistant accountant |
Andy Surry | ... | assistant: to Mr. McDougall (as Andrew Surry) |
Chris Tait | ... | caterer |
Alia Tarraf | ... | staff coordinator |
Jacob Temple | ... | production assistant |
Katharine Tidy | ... | home economist |
Julie Tottman | ... | animal supervisor |
Dominique Tucker | ... | payroll administrator: cast & crew ent services |
Jeannie Udall | ... | unit nurse (as Jeanie Udall) |
Charlie Vaughan | ... | base production assistant (as Charlotte Vaughan) |
Lisa Vick | ... | script supervisor |
Graham Walters | ... | caterer: craft service |
Derek Warman | ... | fire safety officer |
Katherine McCormack Wherry | ... | unit publicist (as Katherine McCormack) |
Claire Wihnyk | ... | assistant: to Mr. Platt |
Richard Wild | ... | weather consultant |
Charlotte Williams | ... | picture double: Little Red Riding Hood |
Alexandra Williamson | ... | additional voices |
Janet Willis | ... | cast tutor |
Kori E. Wilson | ... | assistant: to Ms Streep |
Bruce Winant | ... | additional voices |
Jenny Wood | ... | assistant script supervisor |
Evie Wray | ... | picture double: Bakers Wife / stand in: Emily Blunt |
Garson Yu | ... | title design |
Into The Woods Script Pdf
Thanks
Celia D. Costas | ... | the producers wish to thank |
Maura Powell | ... | the producers wish to thank |
Barry H. Waldman | ... | the producers wish to thank |